In this post, OHMA student Eleonora Anedda (2019 -2020 cohort) will give you a taste of the vast British Library Archive by exploring their oral history collection on food, the British kitchen scene, and its radical changes over the course of the last century. She wishes to apologiseapologizees in advance if this post makes you hungry.
Read MoreReview: “The Lifespan of a Fact”
As oral historians we are taught to value personal truths and “mine for meaning” as Portelli once said. But in the era of “fake news” should we be so quick to dismiss facts? Current OHMA student ventured away from the library for a night at the theatre to watch this play out in “Lifespan of a Fact.”
Read MoreReview: Say Something Bunny!
Oral history and theatre have many natural intersections, performances crafted from interviews and then re-interpreted and embodied by actors. But what about a performance crafted from an unintentionally discovered piece of audio, whose narrators the creator has never met? In this post, OHMA student Caroline Cunfer considers how Alison S.M. Kobayashi implemented oral history-like practices in her groundbreaking performance, “Say Something Bunny!”
Read MoreReview: “The B-Side: ‘Negro Folklore From Texas State Prisons’ A Record Album Interpretation"
In this post, OHMA alum Bud Kliment reviews “The B-Side: ‘Negro Folklore From Texas State Prisons’ A Record Album Interpretation” a performance piece of musical theater and oral history based on the 1965 LP “Negro Folklore from Texas State Prisons.”
Read MoreStarlives: Oral History and the Rock Interview
In this post, part-time OHMA student Bud Kliment reviews Elvis Presley: The Searcher, David Bowie: A Life, and David Bowie Is.
Read MoreAlessandro Portelli and Barbara Dane: Records of resistance
In this post part-time OHMA student Bud Kliment examines the relationship of folk music to oral history through the intersecting careers of Alessandro Portelli and Barbara Dane, occasioned by the release of Dane’s retrospective Hot Jazz, Cool Blues and Hard-Hitting Songs on Smithsonian Folkways.
Read MoreMahalia and Studs, Mr. Jones and Dr. King
In this post, part-time OHMA student Bud Kliment reviews Glorious Mahalia by Stacy Harrop and Peace Be Till, by multimedia composer Zachary James Watkins as performed by the Kronos Quartet in honor of Dr. Martin Luther King Jr.
Read MoreReview: “The B-Side: ‘Negro Folklore From Texas State Prisons’ A Record Album Interpretation"
In this post, part-time OHMA student Bud Kliment reviews “The B-Side: ‘Negro Folklore in Texas Prisons’ A Record Album Interpretation’” a performance piece of musical theater and oral history based on the 1965 LP “Negro Folklore from Texas State Prisons.”
Read MoreAn illuminating account of tango as a transnational practice: a review of Kathy Davis’s Dancing Tango
DongKue Lee is a current OHMA student. In this post, he explores Kathy Davis' account of tango as a transnational practice.
Read MoreWhen “Telling Your Story” Jinxes Your Freedom
Benji de la Piedra is a current OHMA student. In this post, he reviews the HBO documentary series The Jinx: The Life and Deaths of Robert Durst as oral history.
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