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OHMA alum Ellen Coon’s thesis on Newari women and divinity uses transcripts from the 1980s of Coon’s interviews with Newar midwife, Dil Maya Aji. Fascinated by the years Coon spent translating these interviews, OHMA student Caroline Cunfer contemplates how the subjective practices of translation and oral history intersect with and complement each other.
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In this blog post, OHMA student Caroline Cunfer reflects on colonized ideas of history and record-keeping, and how as oral historians we can reconsider and expand our processes of memory transmission to engage in ways that are natural and meaningful to the communities we are working with.
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Illustration by Eunice Kim, not to be used without permission.
Eunice Kim, first-year OHMA student, explores the transformation of radio and digital cultures—how it influences the ways archived interviews are perceived, used, and listened to.
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“Perfect Strangers” by Vik Muniz. Muniz wanted to show normal people you see on the subway that you remember distinctly, but regard as a stranger. This image of a couple is said to be the first permanent LGBT public art in all of New York. It is located at 72nd Street Station.
In this post, Desmond Austin-Miller, a graduate of Columbia University’s Oral History MA Program describes lessons learned through his time interning at the Tenement Museum during the Fall of 2017 and Spring of 2018.
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In this inauguration season post, OHMA alum Jonathon Fairhead (2015) writes about applying skills he learned as an oral historian to listen deeply to a friend whose political perspectives he does not align with and as a path to understanding a country divided.
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Not my actual train. But it could be.
In this post, Robin Weinberg (2016) shares her thoughts about oral history after a presentation by DW Gibson, author of The Edge Becomes the Center: An Oral History of Gentrification in the Twenty-First Century, in OHMA’s 2016-2017 Oral History Workshop Series.
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