• About
    • Contact
    • Donate
    • General FAQs
    • Faculty and Staff
    • Current Students
    • Our Alumni
    • Advisory Board
    • Applying
    • Tuition and Aid
    • B.A./M.A. Option
    • Student FAQs
    • General Information
    • Degree Requirements and Courses
    • Registration
    • Academic Resources
    • Oral History Works
    • Annual Student Exhibitions
    • News
    • Jeffrey H. Brodsky Oral History Award
    • Calendar
    • Thursday Evening Event Series
    • Oral History Training Workshops
    • Events Archive
    • Workshop Equity Budgeting Policy
  • Hire Our Alumni
Menu

Oral History Master of Arts

Street Address
City, State, Zip
Phone Number

Your Custom Text Here

Oral History Master of Arts

  • About
    • About
    • Contact
    • Donate
    • General FAQs
  • People
    • Faculty and Staff
    • Current Students
    • Our Alumni
    • Advisory Board
  • Admissions
    • Applying
    • Tuition and Aid
    • B.A./M.A. Option
    • Student FAQs
  • Student Resources
    • General Information
    • Degree Requirements and Courses
    • Registration
    • Academic Resources
  • Explore Our Work
    • Oral History Works
    • Annual Student Exhibitions
    • News
    • Jeffrey H. Brodsky Oral History Award
  • Events
    • Calendar
    • Thursday Evening Event Series
    • Oral History Training Workshops
    • Events Archive
    • Workshop Equity Budgeting Policy
  • Hire Our Alumni

the transgender archive as a science fiction poem

January 9, 2021 Incite Institute at Columbia University
An image of an A-frame sign sitting on a New York City sidewalk. Black and white capital letter tiles spell out the message “CALL ME I STILL LOVE YOU.”

After Michelle O’Brien’s workshop on the NYC Trans Oral History Project, OHMA student and librarian Kae Bara Kratcha wondered whether the material needs of all trans people will ever be met well enough that all trans people who want to could spend most of their time learning and teaching their histories. To explore this question, Kae wrote and recorded a poem and created a video to accompany the recording.



Video description: a video taken of the East River from Manhattan taken from a moving car is overlaid on a shot of docks and industrial machinery in the Erie Basin in Gowanus, Brooklyn. Occasionally cars, boats, and buildings move through the overlayed video, while the movement in the Erie Basin comes mostly from the water moving gently. Both videos are slowed down, and the overlay creates a dreamy, abstract mood.

the transgender archive as a science fiction poem

Kae Bara Kratcha

In 50 years we will wake up and we will walk into the transgender archive

And we will hold one story there

And the next day we will wake up and hold another

And the next day another

until we have held all of them

In 50 years every day will go like this:

  1. take however long it takes to hold one story from the transgender archive

  2. take however long it takes to process that story from the transgender archive

  3. take however long it takes to talk through that story from the transgender archive

  4. take however long it takes to learn from that story from the transgender archive

  5. take however long it takes to pay respects to that story from the transgender archive

In 50 years we will wake up and we will walk into the transgender archive

And none of us will have jobs to get to

And none of us will have to worry about how we will eat

And none of us will have to think about where we will sleep that night

In 50 years every day will go like this:

  1. take however long it takes to hold one story from the transgender archive (in the mornings we eat the bread we baked yesterday and drink hot coffee and cool clean water)

  2. take however long it takes to process that story from the transgender archive (before lunch we take walks around the neighborhood and sit in plush warm chairs)

  3. take however long it takes to talk through that story from the transgender archive (in the afternoons we make lunch together and eat at one long table)

  4. take however long it takes to learn from that story from the transgender archive (if we want we take a nap or see a play)

  5. take however long it takes to pay respects to that story from the transgender archive (in the evenings we invite our friends in and feed them and they take what they need)

In 50 years we will wake up and we will walk into the transgender archive

And all of our clothes will fit us just right

And all of our apartments will be beautiful and swaddled in light

And all of our stories will enter the archive while we dance in the hot night streets

In 50 years every day will go like this:

  1. take however long it takes to hold one story from the transgender archive (in the mornings we eat the bread we baked yesterday and drink hot coffee and cool clean water; we grow food in our gardens and take it to our elders and our mothers and our cousins across the city)

  2. take however long it takes to process that story from the transgender archive (before lunch we take walks around the neighborhood and sit in plush warm chairs; we make the world for our family under trees and in our rooms)

  3. take however long it takes to talk through that story from the transgender archive (in the afternoons we make lunch together and eat at one long table; we take turns playing with our children while our mothers go to the spa or read a book)

  4. take however long it takes to learn from that story from the transgender archive (if we want we take a nap or see a play; we send our children and our aunties and our elders to meetings and protests and teach-ins)

  5. take however long it takes to pay respects to that story from the transgender archive (in the evenings we invite our friends in and feed them and they take what they need; we host parties in the transgender archive, we host salons in the transgender archive, we hold remembrances in the transgender archive)

In 50 years we will wake up and we will walk into the transgender archive, and we will have always been there. The archive will enter our bodies and we will be the archive everywhere we are, which is everywhere.

Today i have questions: why must the transgender archive wait fifty years? what happens to our bodies when we enter the transgender archive? when will a day be long enough to live every day in the transgender archive? what is a science fiction poem? and what do i need to do to live in the transgender archive today?


Kae Bara Kratcha is a nonbinary librarian and oral historian in Queens, NY. This poem was inspired by the NYC Trans Oral History Project.

In Workshop Reflections Tags art, nature
← Detroit: Looking from the Outside InHindsight is 2020 →
  • Advocacy
  • Alumni
  • art
  • collaboration
  • community
  • Current Students
  • Decolonize
  • Health & Medicine
  • identity
  • Interviewing
  • knowledge
  • language
  • listening
  • memory
  • music
  • narrative
  • new york
  • oral history
  • Oral History and Storytelling
  • Oral History and the future
  • Oral History for Social Change
  • Oral History in the Arts
  • organizing
  • personal
  • story
  • story gathering
  • Storytelling
  • subjectivity
  • Technology
  • voice
  • Aging
  • Archives
  • Brazil
  • Comedy
  • Community Impact
  • deep listening
  • Education
  • Feminism
  • Film
  • History
  • Identity
  • identity
  • immigrants
  • Journalism
  • Media Technology
  • Memoir
  • Methodology
  • Museum/Exhibits
  • peace activism
  • Performance
  • Psychology
  • Public Media
  • research
  • sexuality
  • Social Justice
  • social movements
  • Social work
  • Soundwalks
  • storytelling
  • Technology

Subscribe to the OHMA newsletter

Sign up with your email address to receive news and updates.

We respect your privacy.

Thank you!

Oral History Master of Arts
Incite Institute at Columbia University
61 Claremont Avenue Suite 1300
New York, NY 10115